Staring at the Audience
Description
Title Proper | Staring at the Audience |
Date(s) of material from this resource digitized | 1942 |
General material designation |
From this item, LOI has digitized a textual record.
|
Scope and content |
Item is an image printed on a postcard card stock. The image depicts a group of men
on stage and a single person in the audience. On the stage are four men. Three of
them are holding and [playing?] an instrument while the conductor is staring at the
man sitting in the audience. The man sitting has a slouched back and is staring back
at the conductor as if he has done something wrong. There is an arrow drawn between
the conductor and audience member. The words "Printed by War Prisoners' Aid, Y.M.C.A."
can be found at the bottom of the image. Verso is blank.
|
Name of creator |
Masanobu Kawahira
was born to Torazo Kawahira and Yukino Naka, immigrants from Iyeimura, Ibusuki gun,
Kagoshima ken. Torazo immigrated in 1907 on the vessel Shawmut, at the time his listed
occupation was a miner. Torazo worked in a variety of seasonal occupations such as
fishing and logging. In 1920, he was living with friend Iyemon Yanomichi at #220-
Main Street prior to returning to Japan to marry Yukino. When they returned in August
1921, Yukino was pregnant and Masanobu was born a few months later on December 20,
1921 at 241 Hastings Street.
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Immediate source of acquisition |
The digital copies of the records were acquired by the Landscapes of Injustice Research
Collective between 2014 and 2018.
This record was digitized in full.
|
Structure
Repository | Nikkei National Museum |
Fonds | Masanobu Kawahira fonds |
Series | Postcards; Schreiber, Ontario? |
Metadata
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Title
Staring at the Audience
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Source: Nikkei National Museum
Terminology
Readers of these historical materials will encounter derogatory references to Japanese
Canadians and euphemisms used to obscure the intent and impacts of the internment
and dispossession. While these are important realities of the history, the Landscapes
of Injustice Research Collective urges users to carefully consider their own terminological
choices in writing and speaking about this topic today as we confront past injustice.
See our statement on terminology, and related sources here.