A Group Portrait of Women; Greenwood, BC

A Group Portrait of Women; Greenwood, BC

Description

Title Proper A Group Portrait of Women; Greenwood, BC
Date(s) of material from this resource digitized 1942
General material designation
From this item, LOI has digitized a textual record.
Scope and content
The image shows roughly four rows of women wearing overcoats and posing outdoors on the front steps of what appears to be a wood house. In the front row from left to right are Mytssu Fugeta (nee Sasaki), Sumi Tanaka (nee Sasaki), unidentified, unidentified, unidentified and Chizu Kurisu. In the second row from left to right are Frances Imai, unidentified, unidentified and Satako Fujisawa. In the third row from left to right are unidentified, unidentified, unidentified and Yasuko Sora. In the back row from left to right are Irene Tateyama, Toshimi Mitsui (nee Ochiai), unidentified, Eiko Nishimura and unidentified.
Name of creator
Mytssu Sasaki was born on September 9, 1919 on Powell Street in Vancouver, BC. Mytssu's father, Ichiji Sasaki, built one of the biggest bathhouses, the Matsuno-yu at 318 Powell Street in July 1916. It cost $4,600 to build and was elaborate and popular. From 1917-24, he operated the Cordova rooms at 52 Cordova Street and the Union Rooms at 410 Union Street. Then in 1924, he started the Maruichi Restaurant (meshiya) on the 300 block of Powell Street with his wife, Sugae. It mostly served single men who were fishermen and loggers. In 1928, he started the Ichiriki restaurant on Cordova and Dunlevy Streets catering to a higher class clientele. During that time, he brought the first sushi chef from Japan, Mr K Morita. The Sasaki family lived in the three story home that housed the restaurant.
Immediate source of acquisition
The digital copies of the records were acquired by the Landscapes of Injustice Research Collective between 2014 and 2018.
This record was digitized in full.

Metadata

Title

A Group Portrait of Women; Greenwood, BC
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Terminology

Readers of these historical materials will encounter derogatory references to Japanese Canadians and euphemisms used to obscure the intent and impacts of the internment and dispossession. While these are important realities of the history, the Landscapes of Injustice Research Collective urges users to carefully consider their own terminological choices in writing and speaking about this topic today as we confront past injustice. See our statement on terminology, and related sources here.