A Portrait of a Boy in a Kimono; Greenwood, BC
Description
Title Proper | A Portrait of a Boy in a Kimono; Greenwood, BC |
Date(s) of material from this resource digitized | 1942 |
General material designation |
From this item, LOI has digitized a textual record.
|
Scope and content |
The image shows a boy on a stage wearing a plaid kimono holding up a piece of material
and pointing at it with his other hand. There is a drawing of a turtle hanging on
the wall in the background.
|
Name of creator |
Mytssu Sasaki
was born on September 9, 1919 on Powell Street in Vancouver, BC. Mytssu's father,
Ichiji Sasaki, built one of the biggest bathhouses, the Matsuno-yu at 318 Powell Street
in July 1916. It cost $4,600 to build and was elaborate and popular. From 1917-24,
he operated the Cordova rooms at 52 Cordova Street and the Union Rooms at 410 Union
Street. Then in 1924, he started the Maruichi Restaurant (meshiya) on the 300 block
of Powell Street with his wife, Sugae. It mostly served single men who were fishermen
and loggers. In 1928, he started the Ichiriki restaurant on Cordova and Dunlevy Streets
catering to a higher class clientele. During that time, he brought the first sushi
chef from Japan, Mr K Morita. The Sasaki family lived in the three story home that
housed the restaurant.
|
Immediate source of acquisition |
The digital copies of the records were acquired by the Landscapes of Injustice Research
Collective between 2014 and 2018.
This record was digitized in full.
|
Structure
Repository | Nikkei National Museum |
Fonds | Sasaki Family collection |
Series | Family Photographs |
Metadata
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Title
A Portrait of a Boy in a Kimono; Greenwood, BC
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Source: Nikkei National Museum
Terminology
Readers of these historical materials will encounter derogatory references to Japanese
Canadians and euphemisms used to obscure the intent and impacts of the internment
and dispossession. While these are important realities of the history, the Landscapes
of Injustice Research Collective urges users to carefully consider their own terminological
choices in writing and speaking about this topic today as we confront past injustice.
See our statement on terminology, and related sources here.